Coda: Acmé “is a specific proposal for the Párraga center of Murcia, composed by the projection of the audiovisual work” Acmé “(2017), original costume and storyboards, and the premiere of a musical performance that serves as” coda “or possible end of the trip of this Work in which the artist is imbued from the 2016. The opening day, the Conservatory of Music of Murcia becomes the Atonal orchestral to ponder melody to this medieval fable of the 21ST century. With “Coda: Acmé” Blanca Gracia ends the project tour in Murcia, finishing a polyhedral and multiple work.

Orient is East? It is an exhibition curated by Gopi Sadarangani, with the participation of 17 artists, canaries, national and international. La Regenta Art Center, from 26 April to 29 June 2019

The exhibition invites to revise and situate the anthropology of the imaginary, archetypes and images in the West that describe an imaginary geography, starting from the principle of uncertainty, the Western thought has enraptured with Eastern mysticism and the humanistic of the West has been forced to resort to alien models such as Hinduism, Taoism or others… To configure sense constellations that make it possible to approach the most diverse fictions. Crossbreeding and transculturality are habitual practices in contemporary art.

“The event that decided to leave the wisdom in suspense to ask for the being of things, of reality, was astonishment. In the Asom-bro there is an unseen being in front of something, something that has been known and that was thought to know but in an instant it is shown as new, leaving the one who contemplates it in a kind of blindness and dumbness. There is No word in astonishment, only silence and, at the most, an exclamation. The astonishment is Pasmo, the pasmo that occurs when something unusual is seen, but that is even more pure and fertile when it is produced before something well known and that suddenly presents itself as never before.

“Notes of a Method”, María Zambrano.

This excerpt from María Zambrano’s book is established as a base for presenting a project composed of four women who share the illusion of being surprised with the everyday life of their social environment and reflecting it in their works in a transversal way and Multidisciplinary.

The process of creation that they carry out originates from the fecundity of the astonishment, fruit of the temporal suspension of the sense. It Takes special relevance to the artistic practice turned into a trace, at the same instinctive as persevering, from a space where the experience of tangible reality acquires a new raison d’être. This becomes a state where a concatenation of actions leaves cons-importance of it. What is true is that in all cases this new reason of being is revealed to us in a cartographic deployment where colors, objects, textures, texts, images and, in general, all kinds of traces that affirm our physical presence in the world, are presented in half of Path between the unusual, the utopian and the ineffable.

Cases investigates again after “The Why of Oranges” with “Sun” in the cliché of the Levantina coast. Posing his task as a childish game consisting of representing the Sun, the author plunges into the blinding light of the summer Levantine in search of its essence, being carried away by the sensations and putting in question the way in which the sun determines the identity , the aesthetics and the local economy.

“Abundo es felicies curiosidades” is an exhibition curated by Joaquín Jesús Sánchez in Espacio Valverde Gallery. Javier Arbizu participates in this project together with Christian García Bello, Secundino Hernandez, Julia Huete, Miguel Marina, Álvaro Negro, Stefan Rinck; A series of works that delve into the almost metaphysical qualities of objects and the fascination they exert on us.

In 2019, the Arpad Szenes-Viera da Silva Museum celebrates the twenty-fith annieversary of its opening to the public. It is within the scope of that celebration that, alongside works by Maria Helena Vieira da Silva, the museum will host, from 21 March to 23 March, an exhibition project by Pedro Cabrita Reis: A metade do céu (Half the sky). Cabrita Reis has assembled a group show that is entirely and openly free of any thematic restraints, and indeed from all discursive artifice. Instead, it based on an elementary intention, on an axiomatic, unshabeable will: "that it would act, quite simply, as means to disclose the thought, the outlook and the creative practice of Half the sky"