Here’s the translation:
The selection of works presented synthesizes research that explores the territory in which language and image mutually influence each other, articulating drawing, writing, and color as relational systems for modelling the world. Through the continuity between light, matter, and sensation, the works invite us to think of language and color as vital tools for producing new ways of being together in the time to come.
The retrospective dimension merges with a projective impulse, in which word and drawing collaborate in the invention of desire-landscapes — dreamlike images open to participation that seek to resolve the aphasia of articulating a new future. In these works, landscape ceases to be an external reference and becomes instead the record of a flow of attention, where the continuity of the line incorporates interferences and drifts that lend the image a choreographic quality.
Influenced by Wittgenstein’s reflections on color, the tonal exploration attempts to model chromatic vibration in a way that reconfigures our perceptions and forges new bonds between the visible and the legible.
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