«Drawing» constitutes a new episode in the search for connections between the pictorial nature and its implications in perceptive habits, resorting to the invocation of a strictly superficial -and therefore flat- vision of the environment. The illusionist component, traditionally used for drawing and painting to sustain its three-dimensional promise, is shown here with total impudence, revealing the limits of a plane in which the drawing assumes the role of usurping device of the corporeal, in a process in which line, light and plane are conjured in an apparently «impossible» search.

The DRAWING project, whose title plays with the terms «drawing» and «wing», is configured around a series of pieces of disparate plastic nature -painting, photography or video-, although complemented with each other.